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Wednesday, August 28, 2019

Lord of the Two Lands, Part 3


He knew where they would likely go: The Obelisk.  It was the most fitting location for what was about to take place, and it was nearby.  If he could race across the grass and take short cuts, he might be able to stay caught up with the train of carriages.  So off he went.  Running past Turtle Pond and beyond the Great Lawn, he came to a line of benches underneath a tree.  Sitting and waiting around Central Park at night made him nervous, but being so close to the count made him even more nervous.

Damn blue bloods are going to get themselves killed, he thought.  He turned around where he sat and spied over a hundred feet behind him a set of stony stairs that led up a little hill.  A fiery torch blazed on each side of them.  Probably placed there earlier in anticipation for what would happen next, he thought.  Atop the hill stood a grove of trees, and above the treeline, The Obelisk shot into the sky, its ancient face standing defiant against the darkness.

He was in luck, too.  The carriages had just pulled up.  He was ahead of them, and he had a good spot.  But what would he do next?  What could he do?  First, the count stepped out of his carriage, and with his attendants, they slowly walked down the sidewalk.  After he was well away from his carriage, the other guests who wanted to visit with the count were allowed out of their carriages.  By the time they had all caught up with him and started visiting, he realized he couldn't hear any of them.  He'd have to get in closer.  It would be tricky, though.  There were attendants standing beside the horses of each carriage.

So, carefully he slipped from his seat and took a walk down the sidewalk.  But further away, when he thought he was out of sight, he circled back and hid behind trees and brush on the north side of the Obelisk.  He was quiet as he could be, but he couldn't help but wonder if any of the guards or attendants heard him.  Then, to his horror, the count and his guests moved to the north side of The Obelisk so that they were right in front of him.  Surely, he thought, he would be seen now.  He knelt down as quietly as he could, steadying his breath, moving slowly.

Wednesday, August 21, 2019

You Can Now Sign Up To Our Newsletter

As things progress with the re-release and the graphic novel project, we've decided to roll out a newsletter this month.  That way, if you want to keep up with all of the new developments of Bovodar and the Bears and related projects, we can send you our monthly updates. 



Also, there will always be a form on the right side of this blog that you can fill out to subscribe.  (I may be adjusting the formatting and look of that form as we proceed.)

We'll be including goodies such as previews and bonuses in the newsletter that you just won't have access to through the blog alone.  So if you want to see some privileged, unreleased material, the newsletter is the place where you'll be seeing it.

We look forward to hearing from ya. 



Lord of the Two Lands, Part 2

The Defeat of Comus, by Sir Edwin Henry Landseer


Part 1
Part 2
Part 3
Part 4

After the sun set west of Central Park, the play began.  The evening star was high in the sky, and the stage was well-lit by the lights of the Delacorte Theater.  Usually tickets to Shakespeare plays were free in the summertime, but tonight's event was special, and it was necessary to buy a ticket to attend.  The seats were completely full on this evening.  This obscure play was a very special event, probably arranged with a lot of money, and it attracted a lot of people who heard about it though word-of-mouth.

He sat in a seat in the upper eastern corner, and this allowed him to see beyond the stage to Belvedere Castle in the distance, the starlight twinkling in the surface of Turtle Pond.  Yet more importantly, he had a good view of the audience from his vantage point.  In the very front sat his target: a wealthy African count---or so everyone believed.  He was tall, bald, and all of his attention was focused on the act in front of him.  Surrounding the count sat a dozen servants.  They were men dressed in evening suits, keen and aware of everything around their master.  Outside of that group sat a small gathering of high society.  Many were older men in their suits with very young wives dressed in evening gowns.  No doubt, they were there for the count, and not the play.  Several of the women did not look at all comfortable with their surroundings, though he could tell that many of them tried to humor the count and enjoy the performance.  Outside of that core were what appeared to be professors, young academics, and other eccentric types intrigued by obscure, avant-garde trends.

The play was originally called A Maske, and it was specially made for the cultivated and erudite Bridgewater family, to be presented at Ludlow Castle on Michaelmas Night in 1634.  However the play eventually came to be known simply as Comus years later.  The operatic "Puritan masque" was written for a family that, at that time, had been struggling with scandals of despoiled innocence as well as possibly witchcraft.  And so, the script involved an innocent and chaste young girl trying to find her way through a forest after being separated by her brothers.  The darkness of the night seems impenetrable and ominous.  And then, she comes across the sorcerer, Comus.

According to the program, Comus was an impure reveler like his father, the god Bacchus, and he had taken up after his mother, the goddess Circe, who took pleasure in transforming men into half-animal creatures.  The performance centered around Comus' efforts to tempt the lost girl, that she would give in to his seductive charms.  With his necromancer's wand and a glass filled with magical potion, Comus urges the lady to drink from his cup and give in to his enchantments, that she may be transformed and join with the rest of his beastly quarry.

The count was entranced with the performance.  It could have been only him watching the show.  He noticed no one else around him.  Toward the end of the play, the girl's brothers entered the scene, threw down Comus's cup, and rescued their sister.  After an act of sea nymphs dancing to baroque music, there was a final eulogy by the lady's Attendant Spirit, and then the play had ended.  When the lights went out, and there was a brief pause, the count stood from his seat immediately and clapped loudly.  Shortly after followed his attendants, and then followed the nobility that surrounded him.  The cast came out onto the stage, and the count's attendants tossed up flowers to the actors as they graciously bowed to their benefactor who used his money and influence to make the play possible.  Many of the blue bloods were looking at the count, smiling with him and then turning to the actors to cheer them.

The performance over, the next part of the evening would be crucial.  He had to follow the count at a distance, but keep close enough to perhaps hear what was being said.  His life was in jeopardy.  If he were caught, the count would go beyond all natural law to make sure he was punished.  He had to stay calm and keep a clear head so he could take notes later.  So much hinged on what he would find out tonight.

The retinue followed the count, and several of the admirers tried talking to him.  But the count was always quiet.  He allowed his chief servants to speak for him.  This servant acknowledged the nobles, and with his white-gloved hands, he gestured for them to follow the count outside of the theater.

Keeping up with the count would be difficult without a car, but he had to try his best.  Carefully slipping through the crowd, he made his way outside to find the count and his train strolling out to West Drive.  There, parked in the street stood a train of horse-drawn carriages.  It was obvious to him they waited for the play's benefactor.  The count boarded his carriage with his few closest men.  No other person was there to visit with him.  The tall, dark man sat still and solitary, staring forward thoughtfully---as though he were looking beyond the world itself.  The remaining servants and some of the rich filled the rest of the carriages.  Then, they took off at a leisurely pace.


Wednesday, August 14, 2019

Lord of the Two Lands, Part 1


He was in a bar this time.  Never used to such surroundings, he'd been told such places were dens of iniquity and ill repute.  But after everything he'd seen and been through, he now knew the world wasn't as black and white as he once thought.  He nursed his beer for over half an hour.  He never liked beer until the last few years.  He grew an appreciation for the drink, though.  And he was able to distinguish between the different brands.  Ultimately, he was drinking because he figured beer was a social currency.  Others would see him with it and feel comfortable.  They'd let their guard down and relax.  He desperately needed someone to open up to him.

But how does a man open himself back up to the world once he was cut off from it?  If a man goes off to war, gets lost, and doesn't come home for years, how does he adjust?  Or if a child is locked up in a closet and kept locked away in an attic for a long time, but is suddenly let free, will he ever grow up to be a normal, successful man?  And what about a man thrown away in prison?  Prisons are nothing more than modern dungeons these days.  They were sometimes called penitentiary systems, but there was nothing penitential about them.  How impossible is it for Edmond Dantès to become the Count of Monte Cristo?

He couldn't lift his eyes above the bar he sat at.  He'd always caught himself looking down, lost in thought.  The murmur of the bar was a white noise he easily tuned out.  Nothing anyone talked about mattered to him.  He was estranged.  Alien.  He didn't belong there.  Someone put on some country music.  It was modern, self-aware, and obnoxious.  He hated it.  A woman who looked ten years older than him had been glancing at him, but he never met her eyes.  He didn't know what to do anymore.  The bartender tried cheering him up with one-liners and perky follow-ups.  All he could do is bring himself to smile for a few moments before sinking back down into himself.  This wasn't working.  A group came in behind him.  They were young bar hoppers, halfway stoned, and very loud.

He paid and left.  There was too much to do, and he was out of time.  It was foolish to try this.  There was no one he could open up to.  He'd reached a place in life where no one could help him.  He tried other avenues of opening up to people.  He went to an ice cream social at a nearby church.  He tried a coffee shop.  He tried playing some volleyball with another group of people who, apart from his presence in the game, wouldn't have anything to do with him.  He was a pariah.  He was too far gone.  He'd gone so far with it all, that there was no one left who could relate to what he'd been through.  He could try to get on the internet and meet people in that manner, sure.  The World Wide Web had come a long way since he first left the world.  People were now more interconnected than ever.  But it'd take time to learn the ins and outs of all the new social media and other new websites.  Besides, he was dealing with concrete problems in the real world, and there was too much danger of retreating into a safe, lazy existence of attention-seeking if he played with the Internet.  Not to mention the fact that everyone was piddling around on the Internet on their phones and tablets as it was, divorced from the reality that surged around them.

No, he had a mission tonight.  The play in the park would start at seven in the evening, and it would last beyond nightfall.  He had to be there.  The man he was tracking---if you could call him a man---was the main financier of this particular event.  This patron of the arts loved this special play.  It was to be a rare performance of John Milton's Comus, the story of a sorcerer who could transform people into animals after tricking them to drink from his magical cup.

Of course he'd set up something like this, he thought to himself.  And then he wondered how many high-brow rich people would disappear before dawn.

Friday, July 26, 2019

Beyond City Walls: What's Bovodar's Society Like?

What is it like beyond the walls of Commotu City, home of the great Wolf King?


Last time, I discussed the Wolf King in the world of Bovodar and the Bears.  But beyond the ruler, what is the realm like?  What is Bovodar's society like?

Bovodar's world would be, for us, a fantasy land.  There are people within it, but they are outnumbered by talking beasts.  The animals we take for granted in our own world do not merely trot along on all fours and eat from the fields or hunt each other.  Instead, the denizens of Bovodar's world are beasts who walk upright like men.  Sometimes they wear clothes.  They talk, engage in commerce, cook food, and even worship.

There is a social caste system.  For example, (though not mentioned in this book) rats are the lowest creatures.  Anything that small, in fact, is not regarded highly.  Foxes would be lesser than, say, bears.  Men are considered to be the highest among them all, though.  Even the Wolf King honors the place of men in the hierarchy of his citizens.  Many of the dull-minded creatures of Bovodar's world consider men to be magical beings, and it is in fact very rare for men to be seen, as the world is not filled with them.  There are not very many towns or cities that are ruled by only men.  Most cities and villages are ruled by the talking beasts.  In fact, Bovodar's family lives in a forest called Irv Forest.  There are a good batch of people living there, but mixed in are beasts of different kinds, from moles, beavers, and groundhogs, to a tribe of deer living on the forest's edge, and families of buffalo---poor folk---living north of that.

There are dragons in Bovodar's world (though not in this book), and they live in the older parts of the world, far in the East.  They contend that they are the highest, most supreme nation in the world, and they frequently challenge the Wolf King's legitimacy.  But because of the Wolf's power, they stay mostly relegated to the eastern deserts. 


Wednesday, July 17, 2019

The Ruler of Bovodar's World



What, exactly, is the world of Bovodar and the Bears?  Where is it?  How did it come to be?  Who lives in it?  What governs it?

The answer to the latter answers all of the other questions.

The world that Bovodar lives in is ruled by one being.  And in the book Bovodar and the Bears, he is known simply as the Wolf King.  However, he is more than just a simple king.  He does not merely rule over a nation or a realm.  In truth, the Wolf King is the emperor of the entire world.  He is no rude beast.  He is not simply a wolf.  He walks like a man, gestures like a man, and is just as smart as a man--even smarter, in fact.  More than that, the Wolf King has powers that cause many to think of him as a deity.

Though the primary form of the Wolf King has been that of a wolf, he has been known throughout the ages to take many other forms.  He is master over the East and the West, the Landed North and the Southern Sea.  He bestows gifts to whom he wishes, and he punishes those he sees fit.  He can lift mountains.  He can move rivers.  He can obliterate cities.  And finally, he can remake beasts to his liking.

Tales of his most glorious works take place in the ancient times, and many find it hard to believe such stories.  It was once said that he single-handedly drove back the entire Dragon Empire.  In another fable, it was said that he elevated himself to the highest height, ascending beyond the clouds and to the moon, where he built his grandest palace.  He is said to be as old as the world, that he can never die, and that he can even heal the injured or sick.

His palaces change from one age to another, but in Bovodar's time, his palace is north of Commotu City.  While many doubt the old stories, his presence in the world is quite real, as he is always governing and watching the world.  He is aware of all things that occur in his dominion, and it is under his rule that dwell both beast and men. 
   

Wednesday, July 3, 2019

The New Edition And Other Projects


Bovodar and the Bears will soon be transformed into a new edition, and there will be a brand new cover that will capture the eye better than before, courtesy of Mary MacArthur (whom you can follow at Snowflake Clockwork). Now, before all this, I used to not like the idea of having to re-release a book. But then, I remember how Tolkien himself re-released The Hobbit several times. The first edition came out in 1939, and it wasn't until 1951 that he released a second edition. He had to fine tune his manuscript and conform it more to The Lord of the Rings.

As a matter of fact, in the second edition of The Hobbit, Tolkien made Gollum more aggressive against Bilbo and more possessive of the One Ring. In the first edition, Gollum was going to give Bilbo the ring if he lost the riddle game, and at the end of the game, he showed Bilbo the way out of the Misty Mountains. But in the second edition, Gollum ends his part in the series by shouting: "Thief! Thief, Thief, Baggins! We hates it, we hates it, we hates it forever!"

Bovodar and the Bears, will have similar circumstances. Bovodar, after all, is a part of a three-book series. His character grows throughout the books, and his trilogy fits into a larger universe surrounding the Wolf King. So it's not impossible to think that some content revisions will occur, as well as a few new edits.


Bovodar and the Dragons

Work on this novel continues. Bovodar was a young man swept away by the world in Bovodar and the Bears. But in the second book, he's on a mission with an objective. And he's a little older. He has wants and desires. A young man, he begins to think about what he'll do with his life, how he'll make an income--and let's not forget about the ladies. Deeper conflicts about the wider world strike him hard, and he's confronted with some religio-philosophical issues that he’d never considered. He meets more people on this journey, and their struggles as they travel alongside him only exacerbate his confusion about what to make of the magical realm they live in. Something about their world just doesn’t jibe with the natural order of the universe, and it lingers over them like a sort of odor.


Bovodar and the Bears Graphic Novel
Work on this continues as well. But the novel will be separated into three sections, separately released to the public. As stated before, illustration work on this is being done by Mary MacArthur, whose amazing artistic talent is the most suited for a work such as this. Look forward to more of her work on this project with future releases and blog posts.